Note: Content ends abruptly.
Additional Title: Guy Daniel and Stuart Perkoff Read Poetry
Description: This recording features readings by Guy Daniel, a poet who is best known for his translations of Russian works, and Stuart Perkoff, a well-respected poet and influential contributor to Southern California’s beatnik culture.
More information on the poets featured in this recording can be found here:
Guy Daniels
- The New York Times | https://www.nytimes.com/1989/03/01/obituaries/guy-daniels-69-dies-a-translator-and-poet.html
Stuart Perkoff
- Virtual Venice | http://www.virtualvenice.info/poets/perkoff.htm
- Outlaw Poetry | https://outlawpoetry.com/2008/john-macker-stuart-z-perkoff/
Weisburd #39, part 1 of 2
00:00-00:09 — Blank
00:10-03:52 — Unnamed man (presumably Thomas McGrath) makes announcements regarding donations, upcoming events and a mailing list. He also introduces Guy Daniels.
03:53-09:24 — Guy Daniels engages the audience and prepares for his reading. Begins with translation of French poem. The name of the original poet is inaudible, and the title is omitted.
09:25-12:07 — Translation of French poem. (title and author’s name are inaudible)
12:08-13:06 — Translation of French poem. (title and author’s name are inaudible)
13:07-14:43 — “American Nocturne”
14:44-16:50 — “A Federal Poet” (abrupt disruption in recording at 15:02)
16:51-18:37 — “A Biologist Looks at the Civil Service”
18:38-22:27 — Translation of poem (title omitted) by Nikolay Nekrasov (1821-1878), who was a Russian critic, publisher and poet whose compassion towards Russian peasants made him a hero among liberal and radical political groups. (cuts abruptly)
22:28-25:43 — (beings abruptly) Translation of poem entitled, “A Prophecy”, by Mikhail Lermontov (1814-1841), a Russian writer and visual artist who is considered to be the greatest figure in Russian Romantic poetry.
25:44-30:53 — Translation of poem entitled, “The Demon”, by Lermontov. (cuts abruptly)
30:54-31:04 — Blank
Weisburd #39, part 2 of 2
00:00-00:09 — Blank
00:10-01:45 — Unidentified man (presumably Thomas McGrath) makes announcement regarding the sale of books and magazines. Introduces Stuart Perkoff.
01:46-02:55 — Perkoff abruptly begins reading. He starts with a poem entitled “A Token”.
02:56-03:31 — “We Are Forced to Wage War against Time” – Perkoff
03:32-06:16 — “The Christian Philosophist in the White Cold Morning Said” - Perkoff
06:17-07:03 — “On Unloading a Boxcar” – Perkoff
07:04-07:30 — “Boplicity” – Perkoff
07:31-08:29 — “At the End of the Uprising” – Perkoff
08:30-09:53 — “The Barbarian from the North, for Allen Ginsburg” – Perkoff (Irwin Allen Ginsburg (1926-1997) was an American poet, philosopher and activist. He is widely viewed as the most influential figure of the Beat Generation, and of the counter-cultural movement that followed.)
09:54-11:40 — “Alba” – Perkoff
11:41-13:16 — “After a Painting by John Hultburg” – Perkoff (John Hultburg (1922-2005) was an American lecturer, playwright and painter related to the Bay Area Figurative Movement.)
13:17-16:02 — “Bird” - Perkoff
16:03-16:37 — “Black Burnt Hills Touch Snow at their Backs” – Perkoff
16:38-20:13 — Recitation of poems describes as “in progress” from a collection entitled The Venice Poems.
20:14-23:29 — Recitation by Perkoff of poem with indistinguishable title.
23:30-23:55 — “A Child” – Perkoff
23:56-24:40 — “For Dylan Thomas” – Perkoff (Dylan Thomas (1914-1953) was a Welsh poet and writer. He developed—and encouraged—a reputation as a “roistering, drunken and doomed poet.” He died at the age of 39 in New York City.)
24:41-25:56 — “Portrait” – Perkoff
25:57-27:44 — “Invocation” – Perkoff
27:45-30:27 — “Variation on a Letter to Jonathan Williams” – Perkoff (Jonathan Williams (1929-2008) was an American writer, photographer and publisher. He was also the founder of The Jargon Society, which published various forms of artwork, including poetry and photography.)
30:28-31:28 — “Oh Para, Oh Dox” – Perkoff (cuts abruptly, interrupts recitation)
31:29-31:39 — Blank
Call Number: MW2016.004.39
Rights: Copyrighted. Rights are owned by Special Collections and Archives, JFK Memorial Library, California State University, Los Angeles. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user.
Digitized by the
California Audiovisual Preservation Project (CAVPP).